Disasterpieces
CRITICISM
Many disconcerting images of cars more or less important arrive from all around the globe, customized in a truly heavy way and I do not talk about extreme tuning, here they go over. While maintaining the original shape, brushes are working and if rollers are not enough, there are real devastating buckets of paint. The subtle difference between a work of art or a mess is very thin and can be measured in many ways. It ‘true that is not nice what is beautiful, but it’s nice what you like, but there is always someone to make the connoisseur, or only for impressing people, give to the work of these sort of artists, the most diverse meanings. The fact remains that, those who love supercars, and no matter if they have one or not, will find certain interpretations worthy to be compared to a serious offense. There are paper, walls, old buildings, abandoned and at risk, where they could spill gallons of paint, without going to ruin the work of great craftsmen, or if they just want to use our beloved cars, there are hundreds of wrecking, where to show off their “art”. I would invite those daubers to appear at a Club of car enthusiasts, so that the club members, with the use of their own hands, could apply some color around the artists’ eyes, without even have to paint: this could also be interpreted as an art form. And if that were not enough, you could add a nice bucket of asphalt mixed feathers on their head and then organize a photo exhibition. Please. Leave supercars alone.
Roberto Marrone